Guadalupe Pineda is an interpreter whose voice and style have left a mark on the musical scene of Mexico and Latin America. Her versatility and interpretive strength have turned her into one of the favorite and most widely recognized voices of Mexico.
Having earned countless prizes, several gold and platinum records, as well as critical acclaim, Guadalupe always represents a meeting point for those who enjoy good music.
A native of Guadalajara, Mexico, she began her singing career in small venues and cafes, interpreting the new songs of a young Latin America who wanted to be heard, while at the same time she studied Sociology at the National Autonomous University of Mexico (UNAM). During those years, she is a founding member of the groups La Propuesta and Sanampay, going on to record two albums with the latter one. Shortly thereafter, she begins her solo career.
After 10 years of intense struggle, performing at universities, public squares, prisons, office buildings and public parks, she finally reaches a mass audience with the song "Yolanda" ("Te Amo"), which she recorded in 1984. This song will go on to sell one and a half million copies in Mexico alone.
The Mexican public has applauded her performances on the most demanding and prestigious stages: the Palacio de Bellas Artes (Palace of Fine Arts), the Nezahualcóyotl concert hall, the Mexico City National Auditorium, the Mexico City Theater, the Degollado and Juárez Theaters and the Cervantine Festival, to name but a few of the places where she has performed, always with success and enjoying the love and respect of the public that Guadalupe has earned.
Guadalupe is hard to label. Always restless during her more than 30-year old career, she has lent her voice to genres as different as boleros and tangos, Mexican country songs and opera, new song and ballads, as well as pieces she herself has composed.
She knows no boundaries. It is quite as likely to hear her sing in Spanish, as in several other languages, some of the most beautiful examples of world music.
José Alfredo Jiménez, Agustín Lara, Violeta Parra, Pablo Milanés, Carlos Gardel, Edith Piaf, Charles Aznavour, Johannes Brahms, Franz Schubert, among many authors, have been interpreted by the voice of this unique singer, who has sold more than four and a half million records.
She has held special performances and her voice has appeared as part of the soundtrack of several films, both Mexican and foreign, among which are the following: "Monjas coronadas", a Mexican film by Paul Leduc. "Campanas Rojas", a Mexican-Soviet co-production directed by Sergei Bondarchuk, "La Finestra di Fronte", an Italian film by Ferzan Ozpetek.
Andrea Guerra was born in October 1961 in the northern Italian town of Santarcangelo di Romagna. After studying composition and arrangement under maestro Ettore Ballotta, he moved to Rome where he began his career composing music for nature documentaries.
He soon turned his hand to film music, writing his first score for the 1990 movie Viaggio d'Amore starring Omar Sharif and Lea Massari.
Since then, Guerra has written more than 70 scores and worked with a host of directors from Italy and abroad including Rob Marshall, Terry George, Griffin Dunne, Zhang Yuan, Gabriele Muccino, Ferzan Ozpetek, Marco Bechis, Giuseppe Bertolucci and Pepe Danquart.
German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents‚ having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.
Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers‚ which included the film My Beautiful Laundrette. He soon began work on several successful solo projects‚ including the critically acclaimed A World Apart‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year‚ Zimmer composed the score for another Best Picture Oscar recipient‚ Driving Miss Daisy‚ starring Jessica Tandy and Morgan Freeman.
Having already scored two Best Picture winners‚ in the early ’90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score‚ a Golden Globe‚ an American Music Award‚ a Tony and two Grammy Awards. In total‚ Zimmer’s work has been nominated for 7 Golden Globes‚ 7 Grammys and seven Oscars for “Rainman”‚ “Gladiator”‚ “The Lion King”‚ “As good As It Gets”‚ “The Preachers Wife”‚ “The Thin Red Line‚” “The Prince Of Egypt” and “The Last Samurai.”
With his career in full swing‚ Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment‚ Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ’think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina‚ John Powell‚ Harry Gregson-Williams‚ Nick Glennie-Smith and Klaus Badelt.
In 2000 Zimmer scored the music for Gladiator‚ for which he received an Oscar nomination‚ in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture‚” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2‚ The Road To El Dorado and An Everlasting Piece‚ directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor‚ The Ring‚4 films directed by Ridley Scott; Matchstick Men‚ Hannibal‚ Black Hawk Down and Thelma & Louise‚ Penny Marshall’s Riding In Cars With Boys and A League Of Their Own‚ Quentin Tarantino’s True Romance‚ Tears Of The Sun‚ Ron Howard’s Backdraft‚ Days Of Thunder‚ Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams‚ including the Golden Globe nominated “Here I Am.”
At the 27th annual Flanders International Film Festival‚ Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work‚ Zimmer performed newly orchestrated concert versions of Gladiator‚ Mission: Impossible 2‚ Rain Man‚ The Lion King‚ and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
In 2003‚ Zimmer completed his 100th film score for the film The Last Samurai‚ starring Tom Cruise‚ for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year‚ Zimmer has scored Nancy Meyers’ comedy Something’s Gotta Give‚ the animated Dreamworks film‚ A Shark’s Tale (featuring voices of Will Smith‚ Renee Zellweger‚ Robert De Niro‚ Jack Black and Martin Scorsese)‚ and most recently‚ Jim Brooks’ Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage‚ Dreamworks’ Madagascar and highly anticipated Warner Bros. summer release‚ Batman Begins.
Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review‚ and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP’s Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.
A Royal Academy of Music graduate, Craig Armstrong passed through the ranks of his native city's band culture (a band member of Hipsway, Texas and The Big Dish) to become one of the world's most sought-after and respected composers and arrangers. In the contemporary field, Madonna, U2, Björk and Massive Attack are among the acts to have benefited from his talents, but he is also a skilled and experienced writer for theatre and film. Amongst his many credits are the scores for the Baz Luhrmann hits, William Shakespeare's 'Romeo + Juliet' (for which he received the Anthony Asquith BAFTA Award and an Ivor Novello for Best Original Score) and 'Moulin Rouge' (for which he received a Golden Globe Award and the American Film Institute Award).
Despite these achievements, Craig is a modest and pragmatic man. "I don't subscribe to the 'Artist as God' school of thought," he says, "I see musicians just as part of the workforce, no more or less valid than the practitioners of any other trade. Obviously, there's a spiritual element to music, but then there's a spiritual element to many things. If you can do it - whatever 'it' is - then do it, and try to do it well." Which, clearly, he does. Perhaps director Baz Luhrmann puts it as concisely as is possible: "What I love about your work is the way in which it's like a movie in itself, but without any pictures," he told Craig. Listening, you will know just what he meant.
Following his early, post-Royal Academy dalliances with melodic Scottish pop, the man himself made a leap of both faith and imagination. "When The Big Dish disintegrated, I took time to reassess," he says. "I was by then a husband and the father of a two-year-old child and had become aware that my time was not infinite. Life isn't such a long thing, and I realised that it was madness to spend it doing things that I didn't really want to do." Happily, two avenues of opportunity then opened up to him that provided the launching pads for the parallel careers he now follows with such success.
On the one hand he began to work extensively as an in-house composer with Glasgow's highly-respected Tron Theatre Company. "That proved to be fantastic experience for my subsequent film work," he says. It also helped develop the skills that have led to a variety of classical commissions; Craig has written for the Northern Sinfonietta, the Scottish Chamber Orchestra, the BT Ensemble and the Royal Scottish National Orchestra, who premiered his concert work 'When Morning Turns To Light' in December 2002.
On the other hand, his involvement with the short-lived band, The Kindness of Strangers, facilitated a working triumvirate that, for some five years, became one of the most influential and definitive in contemporary music. "They'd all but run out of money and hadn't enough left to hire a string arranger," Craig recalls. "Nellee Hooper was producing, and I said to him, 'Don't worry. I can do that for you'. He just laughed, 'Yeah. Sure you can.'" But, of course, Craig could, and did, and Nellee loved the results. With Marius De Vries as the other element to their trinity, this combination of talents ruled the pop airwaves in the late '90s. "For a time, it seemed like we were responsible for some of the most major tracks by some of the most major artistes in the world. We had a pretty amazing run of it, looking back." Subsequently, Craig's work with the Bristol collective Massive Attack (he scored the tracks 'Weatherstorm' and 'Heat Miser' for the 'Protection' album) led to him being signed to their record label, Melankolic. In 1998 they released his first solo album, 'The Space Between Us', which for the first time united the two separate strands of his work. "Now I'd say that it functions as a series of snapshots of who I was and what I'd been doing up until then. There was some original material there, and some examples of the film music I'd done ... I'm still proud and very fond of it.”
Whereas he describes his classical and film work as being 'pretty much the result of me having sat alone in a room', his second album, 'As If To Nothing', is very much a collaborative project. "I've had a lot of help from a lot of people and, I hope, have given them a lot of freedom. When you don't control every last detail, when you give someone the space in which to be themselves, then I think that you can get some really amazing results." His own vision, meanwhile, was for an album which, though not conceptual, had certain key musical and harmonic threads running through it, so providing cohesion.
In 2004 Craig Armstrong won his second Ivor Novello award for his score to Phillip Noyce's remake of 'The Quiet American', produced by Anthony Minghella and Sidney Pollack and starring Michael Caine. This award joins a long list of accolades and nominations which include 'The Bone Collector' (for which he received the 1999 ASCAP Award), 'Plunkett and Macleane', 'Best Laid Plans' and the Oscar-winning 'One Day In September'. Craig has also enjoyed a long relationship with the director Peter Mullan and has scored a number of his works; the 'Close' trilogy, 'Fridge', 'A Good Day For The Bad Guys' and 'Orphans' (which was voted Best Film at 1999's Venice Film Festival).
2004 also saw the release of Piano Works and the film scores to The Clearing and the Ray Charles' biopic 'Ray'.
2005 saw the release of Film Works, a new collection of Craig's past film scores and the release of The Dolls a collaborative effort featuring AGF and Delay.
2006 hopefully sees some much wanted live performances for Armstrong and The Dolls and a new film score to World Trade Center.
2007 saw the release of Craig's score to Elizabeth: The Golden Age and the debut album from the band Winona called Rosebud
Clash of the Titans
2010
The Incredible Hulk
2008
Memory Takes My Hand
2008
Winona - Rosebud
2007
music and video full discography
Talking about Guadalupe Pineda is to talk of a voice and a style that have marked the musical scene in Mexico and Latin America.
She’s been worthy of innumerable recognitions, awards and special mentions from the critics. Guadalupe Pineda have proved through 30 years of career that quality and purity of music are not opposite to the popular approval.
Born in Guadalajara, Jalisco, Guadalupe moved to Mexico City where she got her roots since an early age. After studying Sociology at the faculty of Politic Sciences (UNAM), started a career as singer in small forums, “peñas” and coffee shops.
Not too much people knows that before starting to sing, Guadalupe had experience at different works as a real estate seller, apprentice of mechanics and guitar teacher. Her first opportunity came in 1974 singing Latin American and Jewish folkloric songs. In that period she formed 2 groups: “La Propuesta” and “Sanampay”, with this second one she recorded 3 discs and showcased for first time at the United States.
In 1980 recorded an album with Carlos Diaz “Caito” and in 1981 she formally did start a solo artist career.
She took her voice to many civic squares, correctional buildings, mental health houses, reformatories, offices and parks until in 1984, 10 years later of hard work, she recorded the track “Yolanda”, also known as “Te Amo” (duet with Pablo Milanés), which conquered the heart of all Mexico. Only in our country the sales of the album reached million and a half copies.
Her voice has transcended Mexican frontiers, she has been included in national and foreigner movies ("Campanas Rojas", México-Soviétic coproduction, Director Sergei Bondarchuk, "La Finestra di Fronte", talian production, Director Ferzan Ozpetek, "Monjas Coronadas", mexican production, Director Paul Leduc, entre otras). She is the only mexican that has plubilshed a song in the Buddha Bar Collection (Buddha Bar France 2002 Vol. 4) and also in the italian collection "Monte Carlo 04/CD Amor".
Her albums have been edited in countries as far as Japan and had been presented on stage around the world (United States, Ireland, Spain, Italy, France, Colombia, Puerto Rico, Argentina, Center and South America).
There have been also shows at some of the more important and recognized forums in México, like “El Palacio de Bellas Artes”, “Sala Nezahualcóyotl”, “Teatro de la Ciudad de México” (which was reestablished in1985), “el Teatro Degollado”, “el Teatro de Juarez”, and forums of the “Cervantino” festival, as well in the most representative civic square of the country, the “Zócalo de la Ciudad de México”. All these places have been witnesses of the art of Guadalupe and the love from her public.
Recently she's taken her show to the Harris Theater in Chicago, USA, Santa Bárbara, C.A., Torreón, Coah., San José de los Cabos, B.C.S., Cancún, Q.R., among many other cities where she's been received by her audience with great enthusiasm. Her new album "Francia con Sabor Latino", is singed in french and it is a demonstration of Guadalupe's constant evolution, and that she is reinventing herself for her audience.
Now a days, Guadalupe Pineda has a discography of 25 albums, latest 7 produced by herself as an independent artist. With more than 4 million copies sold, she has received several Gold and Platinum certifications, including a Double Platinum certification for her work "Arias de Ópera" (2004).
Michael Nyman’ın adı, ünlü sinema yönetmeni Peter Greenaway’la birlikte anılıyor uzun zamandır. Zira bu besteci, Peter Greenaway filmleri için müzik yazmaya başladıktan sonra dünya çapında tanınan bir isim haline geldi. Biçimciliğe tepki olarak ortaya çıkan, melodi ve armonide yalınlığı ortaya çıkarak minimalist akımın önde gelen temsilcilerinden biri olan Michael Laurence Nyman, 23 Mart 1944 yılında Londra Stratford’da Musevi kökenli bir ailenin oğlu olarak doğdu. Yardley Lane İlkokulu’nun korosuna kabul edilmese de ondaki müzik yeteneğini, Sir George Monoux Gramer Okulu’ndaki öğretmeni Leslie Winters fark etti. Michael Nyman’ın ailesi fakirdi ve ona enstrüman alacak paraları yoktu. Bu yüzden Michael Nyman zamanının önemli bir bölümünü öğretmeni Leslie Winters’ın evinde geçiriyordu. Londra’daki Royal Akademi’ye kabul edilmesinden sonra Michael Nyman, müzik yolculuğunda kendinden emin adımlarla ilerlemeye başladı.
1961 yılında akademiye kabul edilen Nyman burada Alan Bush ve Thurston Dart ile piyano ve 17. yüzyıl Barok müziği üzerine çalıştı. 1964’te kompozisyon alanında Howard Carr anısına verilen önemli bir ödülün sahibi oldu. 1967’de eğitimini tamamlayan besteci, müziğe “minimalizm” kavramını sokan kişi olarak bilinir. Mezun olduktan sonra İngiliz modernist kompozisyon anlayışına karşı çıkarak besteciliği bıraktı ve müzikolog olarak çalışmaya başladı. Nyman, 1969 yılında Harrison Birtwistle’ın operası için libretto yazdı.Steve Reich’in BBC’deki Come Out programıyla besteciliğe geri döndü. 1976’da şimdiki adı Michael Nyman Band olan Campinello Grubu’nu kuran Nyman, bu tarihte ilk kez ünlü film yönetmeni Peter Greenaway’le çalışmaya başladı. 1977’de Carlo Goldoni’nin Il Campiello oyunu için Ulusal Tiyatro Müzik Yönetmeni Harrison Birtwistle’ın ısmarladığı 18. Yüzyıl Venedik şarkıları düzenlemelerini kendi imgelemine uygun olarak gürültülü bir Venedik sokak orkestrası’yla seslendirdi. Konser bestelerinin yanısıra film ve dans müzikleri de yazdı.1981’de ise ilk Michael Nyman albümü yayınlandı. Eserleri arasında Klavsen ve Yaylılar İçin Konçerto (1995), Christopher Hampton’un yönettiği Carrington’un (1996) film müziğinin temelini oluşturan 3. Yaylı Çalgılar Dörtlüsü, Sayılarda Boğulmak/Cycle of Disquietude, Strong on Oaks, Strong on Causes of Oaks ve Drowning by Numbers bulunuyor.
Ünlü müzisyen ve besteci, 1976 ve 1991 yılları arasında Peter Greenaway’in 11 filminin müziklerini bestelemişti. Nyman’ın film müziği çalışmaları arasında, Neil Jordan’ın The End Of The Affair, Michael Winterbottom’ın Wonderland, Volker Sclöndorff’un Ogre ve Christopher Hampton’ın Carrington adlı filmleri de bulunuyor.
Jane Champion’ın 1993 tarihli The Piano adlı filmine yaptığı müzikler, Nyman’ın tüm dünyada tanınmasını sağladı. The Piano filminin müziğiyle Ivor Novello, Golden Globe, BAFTA ve Amerikan Film Enstütüsü ödüllerini kazandı. The Piano’nun soundtrack’i üç milyondan fazla sattı.
Çeşitli operalar besteleyen sanatçı, Purcell ile Handel’in eserlerini yayımladı ve Romanya başta olmak halk müziği araştırmaları yaptı. (kaynak: hertaraf.net
Zbigniew Preisner (20 Mayıs 1955 Bielsko-Biała Polonya) Polonyalı besteci, kompozitör.
Preisner, vatandaşı olan usta yönetmen Krzysztof Kieslowski'nin filmleri için yaptığı bestelerle tanındı. Polonya devlet televizyonu için hazırlanan Dekalog adlı kısa film serisi, Véronique’in İkili Yaşamı, Üç Renk: Mavi, Üç Renk: Beyaz ve Üç Renk: Kırmızı için yaptığı bestelerin yanı sıra, pek çok film ve belgesel için besteler yaptı. Louis Malle’in Damage, Luis Mandoki'nin When A Man Loves A Woman, Agnieszka Holland’ın Secret Garden ve Charles Sturridge’ın Fairytale: A True Story filmlerine müzikler besteledi. İnsanda uçma isteği uyandırır.Dinledikçe dinleme isteği de tabi.
İş arkadaşı ve yakın dostu Krzysztof Kieslowski için bestelediği Requiem For My Friend, bir ağıt niteliği taşır. Pek çok festivalde ödüller alan Zbigniew Preisner yaşamını Polonya'nın başkenti Varşova'da sürdürüyor.
Gabriel Yared (Arapça: جبرائيل يارد) (d. 7 Ekim 1949, Beyrut) Lübnan kökenli Fransız besteci, Fransız ve Amerikan sineması için yaptığı film müzikleri ile tanınır.
Gabriel Yared (born 7 October 1949) is a Lebanese award winning composer, best known for his work in French and American cinema.
Born in Beirut, Lebanon, his work in France included the scores for Betty Blue and Camille Claudel. He later began working on English language films, particularly those directed by Anthony Minghella. He won an Oscar for his work on The English Patient (1996) and was also nominated for The Talented Mr. Ripley (1999) and Cold Mountain (2003).
At the age of 7, his father sent Yared to an accordion teacher. Two years later he stopped his accordion lessons and started music theory and piano lessons. His piano teacher thought that he had no future in music.
Although he was not a natural pianist, he was interested in reading music.
At the age of 14, his piano teacher died, so he was to replace him as the organist of Université Saint-Joseph. He used the university's library to read all the work of Bach, Schumann, and many others. This extensive reading inspired his first original composition, a piano waltz.
Yared gained a degree in Law. His formal musical education only began when he travelled to France in 1969, and attended the École Normale de Musique de Paris as a non-registered student. There he learned the rules of music composition from Henri Dutilleux.
At the end of 1971, he went to Brazil to visit his uncle. There, the president of the World Federation of light music festivals asked him to write a song to represent the Lebanese in the Rio de Janeiro Song Festival. His song won the first prize.
In Brazil, he kept on performing with his small orchestra. Yared maintains that to this day Brazil has greatly influenced his work.
In 1975, he arranged the album Minacantalucio for the popular Italian singer Mina.
He then went back to France, where he met with the Costa Brothers and collaborated with them. There, he wrote many orchestrations, and ended up with three thousand orchestrations in six years.
Not to be limited by orchestrating, he collaborated with Jacques Dutronc, Françoise Hardy, Charles Aznavour, Mireille Mathieu, etc.. He had collaborations with many musicians, and contributed to many radio and TV jingles, such as TF1 news jingles which he has created since 1980.
Giorgia Todrani, best known as Giorgia (born April 26, 1971)[1] is an Italian female singer, known for her soulful voice, which is aided by a wide vocal range, high belting register and great vocal abilities. She is one of the most iconic and famous Italian singers. She has released ten studio albums, which all enjoyed good commercial success in Italy. She has sung duets with artists such as Andrea Bocelli, Mina, Ronan Keating, Ray Charles, Herbie Hancock and Elton John. Billboard magazine called her "one of the most popular Italian singers" and stated that "she could have made it in the USA too"[2].
Shigeru Umebayashi (born February 19, 1951 in Kitakyushu, Fukuoka) is a Japanese composer.
Once the leader of Japan's new-wave rock band EX, composer Shigeru Umebayashi began scoring films in 1985 when the band broke up. He has more than 40 Japanese and Chinese films to his credit and is perhaps best known in the West for his score for director Wong Kar-wai's In the Mood for Love (2001). Umebayashi also scored House of Flying Daggers, and Wong Kar-wai's long-awaited 2046 (2004). He is also the composer for the music of the first Serbian spectacle, Charleston & Vendetta.
Gilda, Cahrles Vidor tarafından yönetilmiş 1946 yapımı siyah-beyaz kara film tründe bir sinema filmidir. Başrollerinde Glenn Ford ve bir nevi femmele fatale rolünü oynayan Rita Hayworth bulunmaktadır. Film, görüntü yönetmeni Rudolph Maté'nin muhteşem görüntüleri, Haywort'ın seksi kıyafetlerini hazırlayan kostüm tasarımcısı Jean Louis ile, Koreograf Jack Cole'un hazırladığı dans figürleri ve Anita Ellis tarafından seslendirilen Put the Balme on Mame ve Amado Mio şarkıları ile hafızalarda yer etmiştir.[1]
Rita Hayworth, asıl adıyla "Margarita Carmen Cansino, 17 Ekim 1918 ve 14 Mayıs 1987 tarihleri arasında yaşamış ABDli sinema oyuncusudur.
"Gilda" karakterine can veren Rita Hayworth 17 Ekim 1918’de İspanyol asıllı bir babanın ve Amerikalı dansçı bir annenin çocuğu olarak ABD'nin New York kentinde doğmuştur. 1946 yılında rol aldığı Gilda filmi Rita Hayworth’un kariyerinin zirvesi oldu. Gilda'dan sonra kazandığı şöhreti iyi değerlendiren ve rol aldığı filmlerle ününe ün katan Hayworth, 1953’te rol aldığı Salome'dan sonra sinemadan uzak kaldı. 70’li yılların sonunda yakalandığı Alzheimer nedeniyle sinemadan koptu.
Hayworth, 14 Mayıs 1987’de doğum yeri New York’ta hayata veda etti.
