26 Haziran 2010 Cumartesi
Saraab - simon shaheen & qantara
Simon Shaheen dazzles his listeners as he deftly leaps from traditional Arabic sounds to jazz and Western classical styles. His soaring technique, melodic ingenuity, and unparalleled grace have earned him international acclaim as a virtuoso on the 'oud and violin.
Shaheen is one of the most significant Arab musicians, performers, and composers of his generation. His work incorporates and reflects a legacy of Arabic music, while it forges ahead to new frontiers, embracing many different styles in the process. This unique contribution to the world of arts was recognized in 1994 when Shaheen was honored with the prestigious National Heritage Award at the White House.
In the 1990s he released four albums of his own: Saltanah (Water Lily Acoustics), Turath (CMP), Taqasim (Lyrichord), and Simon Shaheen: The Music of Mohamed Abdel Wahab (Axiom), while also contributing cuts to producer Bill Laswell's fusion collective, Hallucination Engine (Island). He has contributed selections to soundtracks for The Sheltering Sky and Malcolm X , among others, and has composed the entire soundtrack for the United Nations-sponsored documentary, For Everyone Everywhere. Broadcast globally in December 1998, this film celebrated the 50 th anniversary of the United Nations Human Rights Charter.
But perhaps his greatest success has come with Blue Flame (ARK21, 2001), where he leads his group, Qantara, on a labyrinthian journey through the world of fusion music to discover the heart of the Middle East. The album has been nominated for eleven Grammy Awards, and the band's performances have been called "glorious."
A Palestinian, born in the village of Tarshiha in the Galilee, Shaheen's childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master 'oud player. "Learning to play on the 'oud from my father was the most powerful influence in my musical life," Shaheen recalls. He began playing on the 'oud at the age of five, and a year later studying violin at the Conservatory for Western Classical Music in Jerusalem. "When I held and played these instruments, they felt like an extension of my arms."